What do you call a group of Curators? #AskACurator 2016
Thank you for your questions for this year’s #AskACurator. Many of your questions centred on the topics of curatorial practice in a changing world as well as the personal experience of being a curator. In discussing the answers, our curators reflected that they each approach their job in unique ways: the exhibition specialist, the art history major, the maritime archaeologist, the historian and seeking a way to connect with Indigenous communities.
We began our #AskACurator round table with a quib asking what does one call a group of curators? A gaggle. A curiosity of curators. An exhibition of curators.
Dirk Hartog plate, 1616. Tin (metal), 36.5 cm (diameter). Reproduced courtesy Rijksmuseum, Amsterdam
Four hundred years ago, Dutch mariner Dirk Hartog (1580–1621) sailed into history when, on 25 October 1616, he made the first documented European landing on the west coast of Australia in the Dutch East India Company (VOC) ship Eendracht (‘Concord’ or ‘Unity’). Today his name is synonymous with the inscribed ‘Hartog plate’ that marked his landfall at Cape Inscription on Dirk Hartog Island in Shark Bay, Western Australia. This evocative pewter relic, now held in Amsterdam’s Rijksmuseum, provides tangible evidence of one of the earliest European encounters with the mysterious Terra Australis Incognita – the unknown southern land. Continue reading →
Welcome Wall ceremony September 2016. Image: Andrew Frolows / ANMM.
This Sunday, 25 September 2016, saw 882 new names unveiled on our migrant Welcome Wall in honour of all those who have migrated from around the world by sea or air to live in Australia. The museum unveils new names on the Welcome Wall twice a year. 2016 marks the 17th year of unveiling ceremonies, bringing the total number of names on the wall to a staggering 28,293. More than 200 countries are now represented on the Wall.
As a multicultural nation, with one in four of Australia’s 23 million people born outside Australia, the Welcome Wall is a celebration of diversity. It allows today’s Australians to pay tribute to migrant forebears, family members and friends by having their names inscribed on it. Located outdoors on the museum’s northern boundary, the wall faces Darling Harbour and Pyrmont Bay.
Glad it’s not me in the water with that shark! Image: Andrew Frolows / ANMM.
When I first came to work here, my human colleagues had strict instructions never to let me inside the actual museum. Ha! That didn’t last long. My furry charm worked its magic, and today , after I’d had my bath and was all squeaky clean, I was invited to review our exhibition Wildlife Photographer of the Year.
Amateur whaling, or a tale of the Pacific by Oswald Brierly, 1847. ANMM Collection 00005660.
Oswald Brierly is probably known to most Australians for the whaling scenes he painted while at Twofold Bay, near Eden in New South Wales, which perfectly captured the drama and danger of the whaling at that time. He spent five years at Twofold Bay managing a business there for the Scottish-born entrepreneur and pioneer Ben Boyd. However, his time there would end up being just a small part of this versatile man’s truly remarkable life. Continue reading →
This Wednesday, 14 September, we’re participating in International #AskACurator Day on Twitter and Facebook. It’s an opportunity to ask our curators about anything that you are curious about or would like more information on. Our curatorial team will be on standby to answer your curliest questions about our collections, exhibitions and programs. Simply ask your question using the hashtag #AskACurator and mention @ANMMuseum in your tweet or leave the question on our Facebook post.
Cazneaux family. Image: Reproduced courtesy the Cazneaux family.
‘No tribute could be too high or too glowing for this great lover and promoter of art and photography in Australia.’— Max Dupain writing about Harold Cazneaux’s legacy in 19781.
If you weave your way through the imagery and beautiful photographs in Through a different lens – Cazneaux by the water, you’ll notice that 1937 was a big year for Australian photographer Harold Cazneaux: the culmination of a forty-year career that corresponded with the dawning of the Australian nation, and an emerging national consciousness.
Signals quarterly magazine is now available via the App store. Image: ANMM.
Signals on the iPad offers the same quality editorial and sumptuous pictures as the print magazine, combined with the convenience of digital delivery – ensuring you can access it almost anywhere on the planet.
The September edition is out now. It includes features describing our maritime archaeology team’s search for the relics of an India-trade horse transport on the Barrier Reef, how Dirk Hartog’s accidental landing 400 years ago put the west coast of Australia on the map and how a 100-year-old fragment of film inspired a contemporary artist from Arnhem Land to create spirit figures embodying Yolngu culture.
Bailey here again. Lately, I’ve learnt a new word, ‘viral’. This is what I have gone, people tell me. In the past few weeks I’ve had a lot of media attention: newspaper articles, TV appearances, social media mentions and radio interviews (tricky, those, when you’re a dog – luckily I have my trusty spokeshuman, Adrian, who is more articulate than me).
The museum hosted almost 4,000 Nu Skin business visitors in April – during the Classic and Wooden Boat Festival. Image: Andrew Frolows / ANMM.
You may have noticed that Darling Harbour had some works undertaken over the past three years with the redevelopment of the new convention centre ICC Sydney opening December 2016.
This development and the removal of the Sydney Monorail meant the Australian National Maritime Museum had to look at ways to attract new visitors to our doorstep. Because without a convention centre and the monorail tourists would not be ‘dropped’ at our doorstep.
Portrait of a baby and a dog on a ship. Image: Samuel Hood / ANMM Collection 00023789.
Cats, dogs, monkeys and birds have been cherished on board ships for as long as people have made sea voyages. In a life from which children and families are usually missing, and are often very much missed, pets provide a focus for emotions and affection – although cats and dogs may have been expected to earn their keep catching mice and rats, too.
The Narooma Bar on a very calm day with Montague Island in the distance. Image: Lee Graham / ANMM.
New South Wales hosts a wide variety of historic shipwreck sites. These range from large, fully exposed and intact hulls to smaller, largely disarticulated, dispersed, and buried structural components and artefacts. The environments in which these sites exist also differ significantly in terms of seabed composition, water depth and water clarity.
This year marks the 60th anniversary of the ‘invention’ of the shipping container. As a cornerstone of the global economy, the humble steel box has revolutionised the way we live in profound ways. From the food on our plates to our clothes and mobile phones, there are very few items today that don’t travel to us by sea.