Three years ago the museum’s education team and the NSW Department of Education began to investigate how to run a student-centred research program to engage high school students with stories from World War II (WWII). This program would mark the significant anniversaries of the WWII battles in the Pacific. Eight high schools from Australia and the USA joined the scheme this year to research ‘War and Peace in the Pacific 75 years’, a project funded by the Australian National Maritime Museum, Sydney Australia, the New South Wales Department of Education – Learning Systems Directorate and supported by the USA Bicentennial Gift Fund.
After the Battle of the Coral Sea Commemoration dinner on the USS Intrepid, I was up early and on the train to Boston and the John F. Kennedy Presidental Library and Museum.
I seem to have bad luck visiting this northern city, teaming rain, windy, 6 degrees (celsius) – just like my last three visits! Bad to worse, the train ran late by half an hour and when I arrived at the JFK Library for my meeting with Karen Abramson, Head of Archives, building works nearby had cut their cable to the outside world. So, with no computers, no phones, and no voicemail, the friendly docent (US word for volunteer) at Reception did not have any mobile numbers, couldn’t look them up and didn’t have access to ‘go fetch’ Karen, and the security officer didn’t have a radio and couldn’t leave his post.
Last Thursday I had the privilege to attend the commemoration of the 75th anniversary of the Battle of the Coral Sea on board USS Intrepid, a WWII aircraft carrier, where the museum’s new documentary Clash of the Carriers, premiered in front of Prime Minister of Australia, Malcolm Turnbull and Mrs Turnbull, President of the United States, Donald and Mrs Trump, veterans of the battle and 700 guests.
Last Sunday, 7 May 2017, saw 364 new names unveiled on our Welcome Wall in honour of all those who have migrated from around the world by sea or air to live in Australia. The museum unveils new names on the Welcome Wall twice a year. The new names now bring the total number of names on the wall to 28,657. Of these 9,330 are from England, 3,526 from Italy, 1,627 from The Netherlands, 1,630 from Germany and 1,317 from Greece. In all, more than 200 countries are represented.
Last week we unveiled a new large-scale embroidered work by Melbourne textile artist Melinda Piesse at the museum. Known as the Batavia tapestry (2017), it illustrates the tragic story of the wreck of the Dutch East India Company (VOC) flagship Batavia in the Indian Ocean, off the coast of Western Australia, on 4 June 1629 and the sorry fate of the ship’s company.
Hi there! It’s been a while since I last wrote, as life has been rather busy. I’ve started some new duties recently. My human colleagues call this ‘job creep’ and seem not to like it, but I’m happy – we border collies like to be occupied!
This week a very special piece of pewter is coming to the museum … the Hartog plate, on loan from the Rijksmuseum to mark 400 years since Dutch mariner Dirk Hartog made the first recorded European landing on the west coast of Australia in October 1616. As a testimony of his visit, Hartog left behind an inscribed pewter plate that is recognised as the oldest European artefact found on Australian soil.
The Roman artist who painted the beautiful wall fresco in the Villa of Livia could never have dreamt that 2,000 years later it would be reproduced at actual size and on display in an exhibition on the other side of the world.
Moustaches were big in the late 19th century. Really big.
As the wielder of a reasonably large moustache, I thought I might look into the museum’s collection of photographs and see how many and what sorts of moustaches are there. My hunch was correct – there are hundreds and hundreds of them. From nice thick ‘chevrons’, to the simple ‘English style’, to the classic ‘handlebar’ and even a few ‘walrus’ and ‘toothbrushes’.
The Australian National Maritime Museum and Royal Botanical Gardens Sydney will offering a joint video conference for year 3 and 4 students History and Science.
Cook and Banks: Charting the rumoured great Southern Land is a free video conference which will outline Cook and Banks voyage on the HMB Endeavour. It will be presented by our curator Kieran Hosty and Mary Bell from Royal Botantical Gardens Sydney.
The video conference will investigate the story behind Cook and Banks’ voyage to the rumoured great Southern Land and include topics such as:
- The reason behind the momentous voyage.
- The voyage and conditions on board the HMB Endeavour.
- Cook’s role as a cartographer and navigator.
- Banks’ scientific contribution to the voyage and how his legacy began the Royal Botanic Gardens’ Herbarium collection.
- Learn how scientists classify plants and try your hand at botanic illustration.
- The enduring outcome of the voyage and how it changed Australian history.
- What happened the HMB Endeavour?
We will be offering six sessions of the Cook and Banks virtual excursion. The sessions will be offered on DART connections 3rd and 4th May at 10.00am, 11.30am and 2.00pm
— Anne Doran, Education Officer.
Find out more about our education programs on our website.
Flush with the exhilaration of discovering site KR12 and the ship’s bell, the team set to work the following morning (16 January) to document finds. John, Jacqui, Pete, Renee, Lee and Jules entered the water and conducted a baseline offset survey of the site, followed by detailed recording of the cannons and anchors. Jules then took close-up photographs of each anchor and cannon while Lee carried out a photogrammetric survey of these and other features, including the rudder hardware found in association with the bell. Continue reading
For those who follow HMB Endeavour regularly, you’ll be aware she is great deal more than a static replica of Cook’s famous ship of science. Endeavour is a ‘Regulated Australian Vessel’ with a survey that allows her to operate at sea, anywhere worldwide. Supporting that survey is a regime of annual certifications and inspections and every second year, the ship is required to be lifted from the water.
In 79 AD Mount Vesuvius erupted, sealing nearby Pompeii and Herculaneum into time capsules that would not be reopened for many centuries, and which have been incredibly rich historical and romantic resources for today’s world.
The eruption was clearly visible from the Roman navy’s major port-city of Misenum, along the coast at the northern end of the Gulf of Naples. In response, the admiral of the fleet, Pliny the Elder, ordered his ships to go to the rescue. It is one of the first recorded attempted rescues of civilians by sea by a military force.
Flags are everywhere. We see them flying from government and corporate buildings, from ships and cars, at sporting events, and during festivals. They all mean something whether it be identifying a country or business, or marking the end of a marathon. This month marked the anniversary of one of Australia’s most significant flags – the Australian White Ensign (AWE), first flown on 1 March 1967.
Casting and mould making are simultaneously the stuff of specialised artistic and scientific endeavours and the backbone of mass production. From fountain heads and amulets to the haunting plaster figures that are now synonymous with this ill-fated city, this month’s craft spot is inspired by the use of casting and moulds in ancient times to create the artefacts featured in our new exhibition Escape from Pompeii.