My mother has often told me this story of the evening of Sunday 31st May 1942:
‘It had been a normal Sunday: Church, followed by lunch, a visit to my grandparents, some radio and then suddenly, while I was taking a bath, sirens split the air, Dad turned off the lights, and I shivered in the dark.’
I seem to have bad luck visiting this northern city, teaming rain, windy, 6 degrees (celsius) – just like my last three visits! Bad to worse, the train ran late by half an hour and when I arrived at the JFK Library for my meeting with Karen Abramson, Head of Archives, building works nearby had cut their cable to the outside world. So, with no computers, no phones, and no voicemail, the friendly docent (US word for volunteer) at Reception did not have any mobile numbers, couldn’t look them up and didn’t have access to ‘go fetch’ Karen, and the security officer didn’t have a radio and couldn’t leave his post.
Last Thursday I had the privilege to attend the commemoration of the 75th anniversary of the Battle of the Coral Sea on board USS Intrepid, a WWII aircraft carrier, where the museum’s new documentary Clash of the Carriers, premiered in front of Prime Minister of Australia, Malcolm Turnbull and Mrs Turnbull, President of the United States, Donald and Mrs Trump, veterans of the battle and 700 guests.
RMS QUEEN MARY in Sydney Harbour, 1941. ANMM Collection 00045046.
On 28th March 1942 the troopship RMS Queen Mary arrived in Sydney with 8,398 Americans on board, destined for the Pacific War. These first American troops to be transported on the ‘Grey Ghost’ (the nickname for the camouflaged giant, yet fast, former liner) had embarked in Boston on the 18th February on what became known as their ’40 days and 40 nights’ voyage.
Wartime: SS Mariposa in Sydney, unloading an aircraft. ANMM Collection 00035944.
SS Mariposa was launched in 1931 by the Matson Line to carry 700 passengers in luxury across the Pacific from San Francisco to Sydney. Stripped down to carry up to 5000 personnel, Mariposa was one of the minor ‘monsters’ of the Allied troopship fleet during World War II. The world’s biggest ocean liners, nicknamed ‘the monsters’ were requisitioned to transport troops and materiel because they could outrun most enemy ships and submarines and therefore needed fewer naval escorts as they sailed around the world.
European, American and Australian ships used Hong Kong as a centre of trade in the 19th century. This painting depicts the American vessel S.R. BEARSE as it enters Hong Kong Harbour with fully rigged sails. ANMM Collection 00005647.
Where else can you see a President’s signature (Abraham Lincoln), a Queen’s signature (Victoria R), rare books and etchings, and a seventy-year-old gardenia in one place – but in the USA Gallery of the museum!
These are just a few of the objects from the multi-million dollar collection of paintings, models and artefacts we’ve compiled from the museum’s American collection to represent more than 200 years of the close maritime connection between the seafaring nations of the USA and Australia.
Australian surfer Mick Fanning is in the news after surviving an attack by a Great White Shark during a surfing competition in South Africa. The incident reminded the Museum’s USA Programs Manager Richard Wood of a family tragedy involving a shark attack in Sydney Harbour.
Ern Flint at the opening of the Mission-X ANMM Exhibition, 2013 – Photo by Andrew Frolows
Ern Flint, who died on 3 July at the age of 88, lobbied for many years to earn recognition for the service of the more than 3,000 Australian civilians who risked life and limb serving under contract in the US Army Small Ships Section during World War II. Continue reading →
Selene vomer (Lookdown), one of the photographs in X-Ray Vision. Credit: Sandra J. Raredon, Division of Fishes, NMNH.
Superman has it, and so does the Smithsonian Institution: x-ray vision. We’ve just finished hanging 40 intriguing x-ray images of fish specimens from the USA’s National Fish Collection, a library of more than 4 million preserved specimens of some 20,000 fish species from around the world held by the Smithsonian Institution in Washington DC (that’s a lot of preserving jars).
Installing Ansel Adams photographs. (L to R) Stephen, museum preparator; Will, museum conservator; and Matthew Del Grosso, Collection Specialist from Peabody Essex Museum, Salem, Massachusetts.
The vintage prints, from the hand of the photographer, explore his fascination with photographing water in nature, and developing techniques to capture the movement of waves, waterfalls and geysers previously hidden to the human eye. I especially like looking into the black parts of the photographs and seeing that they are actually full of very dark details. Continue reading →