What a museum without its collection? The stories we tell are imbued in the objects the museum collects and the conservation department is tasked with caring for these objects. Our conservation team look after a range of artefacts, from paper to paintings, ceramics, textiles and even archaeological material recovered from the seabed. From small coins to the HMB Endeavour replica, every object is condition reported, treated and conserved. The team monitor the environmental conditions our objects are either stored or displayed in, checking light levels, relative humidity and maintaining a stable temperature.
It’s Lunar New Year and time to present the colour and excitement of ancient Chinese culture from the museum’s collections. Dragons feature heavily. And so does racing. (I know that it’s the Year of the Rooster, but they don’t usually like water …)
Dragons have been a potent symbol of Chinese culture for thousands of years – people believed they lived in rivers and lakes and controlled the rains and crops. They were mostly protective, yet when angered created havoc with floods and drought. Chinese communities honoured the dragons with festivals and sacrifices to keep the river dragon happy.
SS Mariposa was launched in 1931 by the Matson Line to carry 700 passengers in luxury across the Pacific from San Francisco to Sydney. Stripped down to carry up to 5000 personnel, Mariposa was one of the minor ‘monsters’ of the Allied troopship fleet during World War II. The world’s biggest ocean liners, nicknamed ‘the monsters’ were requisitioned to transport troops and materiel because they could outrun most enemy ships and submarines and therefore needed fewer naval escorts as they sailed around the world.
It was bound to happen. There was only one this year: a lone Christmas card arriving in my mailbox, stoically spreading Christmas cheer and best wishes for the season. Likely, next year there will be none and although we may discover new ways to spread cheer, via emails or seasonal emojis, but for me, the demise of the Christmas card is cause for some lament.
The 9th of December 2016 is the 75th anniversary of the lifting of the siege of Tobruk, the port on the north coast of Libya that proved such a thorn in the side of German Field Marshal Erwin Rommel during the eight months that the siege lasted. The Australian War Memorial describes it as one of the longest sieges in British military history.
Whenever the siege of Tobruk is remembered, the Australian soldiers, who formed the greater part of the garrison for most of the time, are quite rightly afforded pride of place.
Imagine being thrown about in your small yacht surfing down a 20-metre wave. You’re in the Southern Indian Ocean, it’s freezing, you’re exhausted and soaked through. You’re days or weeks from land. You have no GPS. You’re alone.
The Australian National Maritime Museum has been Google Cultural Institute Partner since early 2015 and this week we launched our next exciting round of features on the platform.
The Australian National Maritime Museum were asked to participate in TABA NABA – Australia, Oceania, Arts by Peoples of the Sea exhibition at the Oceanographic Museum in Monaco. Living Waters was a key theme of the exhibition developed by curator Erica Izett and featured items from our own Indigenous collection. Donna Carstens, Manager of Indigenous Programs at the Maritime Museum worked closely with Erica to select collection items that support the exhibition themes.
Whilst Halloween slowly approaches, its pretence of horror and worn out ghoulish clichés appear again. Pumpkins and cobwebs adorn houses and plastic skeletons dance limply off front fences. No doubt witches and vampires have their earned their scary credentials but the forced spookiness of the season only makes it feel like a poor cousin to where real horror exists. Offshore.
Oswald Brierly is probably known to most Australians for the whaling scenes he painted while at Twofold Bay, near Eden in New South Wales, which perfectly captured the drama and danger of the whaling at that time. He spent five years at Twofold Bay managing a business there for the Scottish-born entrepreneur and pioneer Ben Boyd. However, his time there would end up being just a small part of this versatile man’s truly remarkable life. Continue reading
The life of a lighthouse keeper is often either romanticised or seen as a desolate life for those who prefer the solitary confines of the role, away from the social rigours of mainland life.
In reality, the life was a mixture of both and so much more. The ANMM has in its collection an extraordinary log book kept by the lighthouse keeper William Norgate from November 1893 to November 1929. The log is dilapidated and fragile but reveals a humble yet extraordinary life.
Almost 400 years ago, in the hours before dawn on 4 June 1629, a flagship of the Dutch East India Company (VOC) was wrecked upon Morning Reef near Beacon Island, some 60 kilometres off the Western Australian coast. It was the maiden voyage of the Batavia, bound for the Dutch East Indian colonies of modern-day Jakarta, but the tragedy of shipwreck would be overshadowed by the subsequent mutiny among the survivors on the isolated Houtman Abrolhos Islands.