Dragon boat figurehead painted gold, green and beige with red beard and white plastic antennae. ANMM Collection 00039729. Gift from Carlos Ung.
It’s Lunar New Year and time to present the colour and excitement of ancient Chinese culture from the museum’s collections. Dragons feature heavily. And so does racing. (I know that it’s the Year of the Rooster, but they don’t usually like water …)
Dragons have been a potent symbol of Chinese culture for thousands of years – people believed they lived in rivers and lakes and controlled the rains and crops. They were mostly protective, yet when angered created havoc with floods and drought. Chinese communities honoured the dragons with festivals and sacrifices to keep the river dragon happy.
Wartime: SS Mariposa in Sydney, unloading an aircraft. ANMM Collection 00035944.
SS Mariposa was launched in 1931 by the Matson Line to carry 700 passengers in luxury across the Pacific from San Francisco to Sydney. Stripped down to carry up to 5000 personnel, Mariposa was one of the minor ‘monsters’ of the Allied troopship fleet during World War II. The world’s biggest ocean liners, nicknamed ‘the monsters’ were requisitioned to transport troops and materiel because they could outrun most enemy ships and submarines and therefore needed fewer naval escorts as they sailed around the world.
SPIRIT OF AUSTRALIA driven by Ken Warby on Blowering Dam. ANMM Collection ANMS1163, courtesy of Graeme Andrews.
Museums are truly wondrous places. Reminding us all where we have come from. Our shared history and what humans have experienced. I have always been constantly inspired by these stories but I now find myself using them as life lessons to be held up during moments of parental pressure. Continue reading →
Not quite at the water’s edge, yet. This 1865 depiction of colonists at Manly celebrating Christmas appeared in The Illustrated Sydney News. Image: ANMM collection 00006061.
It was bound to happen. There was only one this year: a lone Christmas card arriving in my mailbox, stoically spreading Christmas cheer and best wishes for the season. Likely, next year there will be none and although we may discover new ways to spread cheer, via emails or seasonal emojis, but for me, the demise of the Christmas card is cause for some lament.
HMAS Waterhen in Sydney Harbour, c1925–33. ANMM Collection 00021576.
The 9th of December 2016 is the 75th anniversary of the lifting of the siege of Tobruk, the port on the north coast of Libya that proved such a thorn in the side of German Field Marshal Erwin Rommel during the eight months that the siege lasted. The Australian War Memorial describes it as one of the longest sieges in British military history.
Whenever the siege of Tobruk is remembered, the Australian soldiers, who formed the greater part of the garrison for most of the time, are quite rightly afforded pride of place.
Steering – by foot – across the Pacific Ocean. ANMM Collection, reproduced courtesy Kay Cottee.
Imagine being thrown about in your small yacht surfing down a 20-metre wave. You’re in the Southern Indian Ocean, it’s freezing, you’re exhausted and soaked through. You’re days or weeks from land. You have no GPS. You’re alone.
Beachgoers at Newcastle, c1910. This period saw Australians embrace swimming at the beach for leisure. ANMM Collection ANMS0551.
In this island country, the coastline stretches over a distance of more than 36,000 kilometres, so it’s no surprise that Australians are obsessed with water, beaches and water sports. It is this obsession with water that has contributed to Australia’s reputation as a nation of swimmers, surfers and beach goers. With the introduction of paid holidays and leisure time for families, Australians crowded the beaches making them the place to be. Continue reading →
Our new collection website gives you the keys to our collection. Using your favourite digital device you can search, browse, share, tag and give a star rating to over 90,000 objects from the National Maritime Collection.
St Brendan saying mass on the back of a sea monster, 1621. ANMM Collection 00019658.
Whilst Halloween slowly approaches, its pretence of horror and worn out ghoulish clichés appear again. Pumpkins and cobwebs adorn houses and plastic skeletons dance limply off front fences. No doubt witches and vampires have their earned their scary credentials but the forced spookiness of the season only makes it feel like a poor cousin to where real horror exists. Offshore.
Amateur whaling, or a tale of the Pacific by Oswald Brierly, 1847. ANMM Collection 00005660.
Oswald Brierly is probably known to most Australians for the whaling scenes he painted while at Twofold Bay, near Eden in New South Wales, which perfectly captured the drama and danger of the whaling at that time. He spent five years at Twofold Bay managing a business there for the Scottish-born entrepreneur and pioneer Ben Boyd. However, his time there would end up being just a small part of this versatile man’s truly remarkable life. Continue reading →
Goods Island lighthouse c 1909. Image: State Library of Queensland.
The life of a lighthouse keeper is often either romanticised or seen as a desolate life for those who prefer the solitary confines of the role, away from the social rigours of mainland life.
In reality, the life was a mixture of both and so much more. The ANMM has in its collection an extraordinary log book kept by the lighthouse keeper William Norgate from November 1893 to November 1929. The log is dilapidated and fragile but reveals a humble yet extraordinary life.
A depiction of the massacre among the marooned survivors of the Batavia. From Pelsaert’s published journal, 1647. ANMM Collection: 00004995.
Almost 400 years ago, in the hours before dawn on 4 June 1629, a flagship of the Dutch East India Company (VOC) was wrecked upon Morning Reef near Beacon Island, some 60 kilometres off the Western Australian coast. It was the maiden voyage of the Batavia, bound for the Dutch East Indian colonies of modern-day Jakarta, but the tragedy of shipwreck would be overshadowed by the subsequent mutiny among the survivors on the isolated Houtman Abrolhos Islands.
‘Zugubal’ 2006. Travellers paddle a gul (canoe), which is a key symbol of connectivity in Zenadh Kes (Torres Strait) cosmology, navigating all the cycles of land, sea, sky and spiritual life. ANMM Collection 00054665. Reproduced courtesy Alick Tipoti and Australian Art Network.
For thousands upon thousands of years, Aboriginal and Torres Strait Islander peoples have navigated their way across the lands and seas of Australia using paths called songlines or dreaming tracks. A songline is based around the creator beings and their formation of the lands and waters during the Dreaming (creation of earth). It explains the landmarks, rock formations, watering holes, rivers, trees, sky and seas.