A working harbour: Waterfront change through Cazneaux’s ‘seeing eye’

Harold Cazneaux, 'A study in curves', 1931. Gelatin silver print. ANMM Collection 00054649.

Harold Cazneaux, ‘A study in curves’, 1931. Gelatin silver print. ANMM Collection 00054649.

Whatever pictures are made of our great Sydney today will in future years have some historical interest and value. As time marches on there will always be a ‘Sydney of yesterday’.

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Changing Pyrmont – guest post by Jane Bennett

Meet Jane Bennett, an artist whom you may see around the museum wharves from time to time. We invited Jane to contribute a guest blog post about her work and current exhibition at Frances Keevil Gallery.

Hi, Jane Bennett here.

I would like to invite you to the annual end-of-year show at the Frances Keevil Gallery where I will have three of my recent Pyrmont paintings on display.

I first started painting Pyrmont when I was in art school in the late 1970s, documenting Pyrmont’s original character that came from its industrial heritage – the workers’ cottages perched on the creamy sandstone escarpment above dark, decaying wharves and warehouses.

During the 1980s Pyrmont was discovered by developers and radically transformed from a once-neglected industrial suburb in a 19th-century time warp, to a sleek media and entertainment hub. Buildings were often demolished as fast as I could paint them. Almost everything that I have painted has either been demolished or has changed beyond all recognition – the pubs have been gentrified, working-class terraces are replaced by apartment blocks and old warehouses are converted into offices. Continue reading