I seem to have bad luck visiting this northern city, teaming rain, windy, 6 degrees (celsius) – just like my last three visits! Bad to worse, the train ran late by half an hour and when I arrived at the JFK Library for my meeting with Karen Abramson, Head of Archives, building works nearby had cut their cable to the outside world. So, with no computers, no phones, and no voicemail, the friendly docent (US word for volunteer) at Reception did not have any mobile numbers, couldn’t look them up and didn’t have access to ‘go fetch’ Karen, and the security officer didn’t have a radio and couldn’t leave his post.
The Jetty Train is the perfect way to experience Busselton Jetty. Image: Busselton Jetty.
As a national cultural agency, the museum provides support for Maritime Heritage nationally and the importance of supporting local communities, smaller museums and historical societies to care for, conserve, preserve, interpret and display Australia’s maritime heritage is recognised. Several of the avenues for doing this involve funding opportunities and engagement in collaborative travelling exhibition development.
A diorama from the independence museum in Bali, Indonesia. Photo: Jeffrey Mellefont
On a recent trip to Indonesia I was struck by how many museums were based around dioramas. Rather than how we usually think of museums — as a display of things from the past (objects) with labels and text — many Indonesian museums are solely based around snapshots of history, with no objects in sight. They are examples of how museum-makers quite literally construct the past for their audiences.
We often think of dioramas as an outmoded, old-fashioned display method. But in Indonesia they are quite an accepted way of communicating stories. Many tell a sanctioned, official version of history. But I was surprised by just how popular they are with audiences.