Enrich your visit to the museum with our new Visitor App. Built for iOS and Android, the App features seven themed self-guided audio tours, six highlight tours as well as great photos, event and exhibition info, maps and amenities.
The Australian National Maritime Museum Learning team and the NSW Department of Education have embraced the use of social media to communicate and share exhibition content with teachers.
The Rough Medicine – Life and Death in the Age of Sail exhibition at the ANMM was shared online via Twitter through a series of live tweets containing photos, website links, video and 360° footage of the key objects on display. This content was then collated through Storify creating a long term re-usable resource for teachers to use in the classroom.
The Australian National Maritime Museum site on the waterfront here at Darling Harbour is not your usual museum. We have exhibition galleries inside the museum as well as historic vessels which you can come aboard such as the HMB Endeavour Replica, navy destroyer HMAS Vampire and submarine HMAS Onslow.
There is a lot to explore, especially if you are a teacher visiting with a busload of school students. To help teachers become familiar with our site and prepare for school excursions we created an Orientation Tour For Visiting Teachers.
Are you planning a visit to the Australian National Maritime Museum? You can now take a self-guided tour with our newly-released mobile app, built on the Google Cultural Institute platform. Users can swipe, scan and scroll their way through collection highlights as they wander in and around the museum, or use it to virtually explore our exhibitions from anywhere in the world.
We’ve been getting a little romantic here at the museum and have created a Lovers’ Trail through our permanent exhibitions. We hope you enjoy our selections and also have a lovely Valentine’s Day.
Gifts from afar
This ivory and paper fan was made in Canton, China, for distribution through the China Trade between China, the United States and Australia during the 1800s. It highlights the popular fashion of the day for women in the developing colony, and the influence of oriental culture on western style in general. Both sides are brightly painted with scenes of figures carrying fans in an oriental landscape. The ivory sticks and guards feature carvings of figures, pagodas, and lotus blossoms. This fan has an accompanying lacquer box for storage.
Location: USA gallery, ground floor
Think of me – a sailor’s heart
This heart-shaped pin cushion with the words ‘Think of me’ formed in pins, was a favourite theme of sailors in the British Royal Navy in the 19th century. Keepsakes such as these were handmade by the sailors as love tokens for wives and girlfriends at home. Decorated with glass beads and a postcard photograph of HMAS Sydney (I), this pin cushion was probably made by a sailor of the ship shortly after its commissioning in 1913. Many Royal Navy sailors transferred into the new Australian fleet, bringing their traditions with them.
Location: Navy gallery, ground floor
The 1956 summer Olympic Games held in Melbourne, Australia were beamed around the country through the brand new medium of television. Spectators flocked to shop windows to watch the Adonis-like swimmers in action. Freestyle swimmer Murray Rose won three gold medals (400 and 1,500 metre events and the 4×200 metre relay) and immediately became a national hero. At the 1960 Olympic Games in Rome, Rose won the 400 metre gold medal and took the silver in the 1,500 metres. The gold went to fellow Australian, Latvian-born John Konrads, a rising star and poster boy for Australia’s post-war immigration policy. Both young men guest starred on television panel shows. Rose also appeared in movie Ride the Wild Surf.
Location: Watermarks gallery, ground floor
Oceans apart – the love story of Ann and Matthew Flinders
Matthew Flinders was a great British navigator, responsible for much of the charting of Australia. He married Ann Chappelle in 1801 – but for nine years their relationship was carried out by letter as he firstly circumnavigated Australia and was then imprisoned on the French island of Mauritius in the Indian Ocean. What was supposed to be three years of separation turned into an eternity. Returning to England in 1810 they spent a few short years together until he died in 1814. Ann outlived Matthew by 38 years, never remarrying. His letters to her are full of passion, love and loneliness.
Location: Navigators gallery, 2nd floor
Family love – from mother to daughter
The stringing of shell necklaces has been an occupation for the Indigenous women of the Furneaux Islands group off north-east Tasmania since the 1930s and is now undergoing a revival. Traditionally, these beautiful shell necklaces had ceremonial and cultural significance and, while this significance remains, Indigenous women now make them for a number of other reasons, including rites of passage gifts, cultural and personal heirlooms, as souvenirs, and as wonderful works of art. The time when the necklaces are being made is a time when history, language and song are shared and passed to younger generations.
Location: Eora First People gallery, 2nd floor
Tokens of forbidden love
Sadako Kikuchi met Australian army officer John Morris when he was serving in Japan after World War II. They fell in love but were forbidden from officially marrying. Instead Sadako and John exchanged bank notes as tokens of their commitment.
In 1952 the Australian Government lifted the marriage ban and Sadako and John were married in a church wedding. Sadako was one of more than 600 Japanese war brides who migrated to Australia after World War II. They were the first group of non-Europeans permitted under the White Australia Policy.
Location: Passengers gallery, 2nd floor
For the majority of convicts sent to Australia, transportation meant lifelong separation from family and friends. To ease this pain many produced tokens as gifts, a practice that continued throughout the entire period of British transportation from 1788 to 1868. By engraving copper coins, they could write of their sorrow using rhyming couplets, by engraving images of themselves in chains, by engraving signs of their life (houses, bottles, flowers, hearts, arrows, anchors) or by engraving their names or initials alongside those of their loved ones. These tokens, also known as ‘leaden hearts’ were then left behind as mementoes.
Location: Passengers gallery/Age of Sail, 2nd floor
Perfume, the scent of love, used to include a thick, black, foul-smelling liquid produced in the digestive system of sperm whales. After this substance – called ambergris – was regurgitated or secreted by a whale it would harden into a waxy form that gave a pleasant, earthy aroma. It was then used as a fixative, making the scent of a perfume last longer.
It may be surprising that such a thing as whale vomit once graced feminine wrists and necks and that many whales died in the creation of love potions.
Location: Commerce gallery, 2nd floor, rear of museum
The self-guided tour is available to download on our website. Print or save to your mobile and bring to the museum when you next visit.